Andrzej Pitrus analyzes and interprets Bill Viola’s tape "Memory Surfaces and Mental Prayers" (1977). The cycle was created as one of the earlier works by Viola, and deals with the issue of perception. The artist also refers to his fascination with cultures, philosophy, and religions of the East. All three pieces included in the tape are discussed: "The Wheel of Becoming", "The Morning After the Night of Power" and "Sweet Light". Each of them uses different techniques and creative strategies to explore the medium, which was a relatively new artistic tool in the second part of the seventies. Bill Viola’s work seems to be quite unique as it combines explorations of technology with musings about the very nature of human perception. The artist ...
Hallucinations are believed to be as old as the human’s brain. Usually, modern people relate to hall...
This research uses mass produced domestic objects and removes them from ordinary modes of perception...
There is innate desire to discover the unknown, imagine the unimaginable and to understand our surro...
Andrzej Pitrus analyzes and interprets Bill Viola’s tape „Memory Surfaces and Mental Prayers” (1977)...
Two essays examine Viola's video installations from 1976 to 1992 and his interest in perception and ...
A critical and historical analysis of Bill Viola's exposition at the Grand Palais, Paris, in 201
Bill Viola claims that the era of optical vision is over and, despite this, his works give the impre...
In this text we intend to analyze Bill Viola’s video installation Nantes Triptych (1992) as an examp...
This study represents as an attempt to make sense of a rather curious coincidence. In Philip K. Dick...
It is a well-established fact that the medium of video lacks a unified identity and lends itself bes...
Within the general field of video artist Bill Viola’s work, we propose an approach to the relationsh...
This article seeks to establish a fundamental continuity between distinctive periods in Bill Viola’s...
Feldman's analysis of Viola's commissioned video sound installation traces elements of previous work...
The author of the article interprets "The Passions" cycle by Bill Viola, initiated in 2000 and concl...
University of Michiganhttp://deepblue.lib.umich.edu/bitstream/2027.42/156357/1/A_Record.pd
Hallucinations are believed to be as old as the human’s brain. Usually, modern people relate to hall...
This research uses mass produced domestic objects and removes them from ordinary modes of perception...
There is innate desire to discover the unknown, imagine the unimaginable and to understand our surro...
Andrzej Pitrus analyzes and interprets Bill Viola’s tape „Memory Surfaces and Mental Prayers” (1977)...
Two essays examine Viola's video installations from 1976 to 1992 and his interest in perception and ...
A critical and historical analysis of Bill Viola's exposition at the Grand Palais, Paris, in 201
Bill Viola claims that the era of optical vision is over and, despite this, his works give the impre...
In this text we intend to analyze Bill Viola’s video installation Nantes Triptych (1992) as an examp...
This study represents as an attempt to make sense of a rather curious coincidence. In Philip K. Dick...
It is a well-established fact that the medium of video lacks a unified identity and lends itself bes...
Within the general field of video artist Bill Viola’s work, we propose an approach to the relationsh...
This article seeks to establish a fundamental continuity between distinctive periods in Bill Viola’s...
Feldman's analysis of Viola's commissioned video sound installation traces elements of previous work...
The author of the article interprets "The Passions" cycle by Bill Viola, initiated in 2000 and concl...
University of Michiganhttp://deepblue.lib.umich.edu/bitstream/2027.42/156357/1/A_Record.pd
Hallucinations are believed to be as old as the human’s brain. Usually, modern people relate to hall...
This research uses mass produced domestic objects and removes them from ordinary modes of perception...
There is innate desire to discover the unknown, imagine the unimaginable and to understand our surro...